With one-third of the world’s population currently under some level of quarantine, the streets of major cities like Amsterdam, New York City, and San Francisco are an unusual and unsettling sight. Film director and cinematographer Jean Counet, who shot “Meanwhile in Amsterdam,” shows the capital city almost entirely deserted. Public transit is empty and a four-minute walk reveals less than a dozen passersby.
Counet tells Colossal that “Meanwhile in Amsterdam” came together like any other film, except that “this time there was no director, and no plan,” he says. More Continue reading
Concentric Circles of Tufted Wool and Natural Fibers Shape Giant Wall Hangings by Artist Tammy KanatMarch 26, 2020
Beginning with asymmetrical ovals and amorphous shapes, Australian textile artist Tammy Kanat (previously) loops, twists, and weaves her sizable wall hangings. Using a steel frame, Kanat hangs up the copper forms that provide the structure for her abstract tapestries. She then combines natural materials like wool, linen, and silk to create small tufts and organic rows of varying hues that add a range of densities and textures to each piece. More Continue reading
Some meals leave an impression—you might remember the cherry pie your grandma always made or a multi-course dinner consisting of toast and caviar, a mound of shaved truffle topping pasta, and wagyu tartare. Rather than solely rely on his memory to envision the fare he’s enjoyed, though, Japanese chef Itsuo Kobayashi has been painting and describing in detail the dishes he’s eaten for the past 32 years in a series of notebooks and standalone works. More Continue reading
Covered in full-face masks of fringe and knotted details, threadstories (previously) explores the tension between contemporary portrayals of public and private life. The Irish artist poses in front of gray backdrops for her self-portraits that obscure her face and only sometimes reveal a set of eyes or a mouth through the crocheted exterior.
threadstories tells Colossal that the process for creating each piece is similar. She begins by crocheting the balaclava—sometimes adding space for further detail like pointed ears or a hand-drawn face—before crafting various tufts and dense patches. More Continue reading
During the first frost in the southern region of Finland, Christoffer Relander (previously) shot dense patches of branches, ferns, and blades of grass as part of a new set of double-exposure photographs. Titled We Are Nature Vol. 6, the monochromatic project merges human figures with nature to generate a portrait of a woman whose forehead is substituted with overflowing brush. Another image shows two kids whose features are obscured by leaves and vines. More Continue reading
Since she first began embroidering in 2013, Emillie Ferris (previously) has stitched a few rows nearly every day. The United Kingdom-based artist creates dense thread paintings of butterflies, bees, and other creatures surrounded by vibrant, scattered florals. Her lengthy stitches form precisely colored patterns and rows, offering a distinct texture to each wing and antennae.
Ferris tells Colossal that much of her work is based on vintage entomology illustrations, which she reviews multiple times before beginning one of her realistic projects that are “inspired by nature, with a tiny sense of magic.”
I love to try and emulate a sense of romanticism in my embroideries.
To celebrate spending one billion seconds on Earth, Daniel de Bruin created a gear system that represents the number googol (that’s the digit 1 with 100 zeros behind it). Every time the first wheel completes 1,000 rotations, which happens in about an hour, the second gear turns 100 notches and the third 10. Each following wheel is reduced by 10, meaning in order to turn the last and 100th one, the system would need a googol of energy, which the Netherlands-based designer says is “a number that’s bigger than the atoms in the known universe.” He tells Colossal that when working perfectly, each gear is perpetually in motion. More Continue reading
Norwegian-Finnish artist duo Karoline Hjorth and Riitta Ikonen bring a folklore-inspired vision to the relationship between humans and nature. The majority of their subjects are elders who often have a deeper connection to the lands they inhabit, work on, or cultivate.
In 2011, the pair started an imaginative series called Eyes as Big as Plates as a contemporary exploration of characters from Nordic folklore. Their photographic odyssey across 15 countries and creation of more than 100 portraits evolved into a general exploration of modern humans’ relationships to nature. More Continue reading
Packed within a 6,000-square-foot space on Chicago’s south side is a fictional universe teeming with pinned up newspaper clippings, towers of retro electronics, and tons of vintage advertising from McDonald’s to Vienna Hot Dogs. It’s the world of Hebru Brantley’s iconic characters, Lil Mama and Flyboy, whose enlarged head rests on the floor in one room of the immersive installation, titled Nevermore Park. Moving through the pathways lined with plastic toys and paint-spattered pallets, visitors pass a downed spaceship and a brick wall of street art, elements that structure Brantley’s narrative for the surreal environment. More Continue reading
Utilizing the reflections on soaring buildings, Seattle-based photographer Navid Baraty (previously) frames New York City in sections of just a few blocks. Although the traffic-packed streets and countless windows on high-rises can be seen from the ground, Baraty’s aerial shots in his ongoing Hidden City II series provide a distinct look at the area’s density and compactedness. “Most of our perceptions of cities involve us walking the busy streets and staring up at the towering skyscrapers above,” he writes. More Continue reading
Japan-based artist Ayumi Shibata (previously) constructs intricate paper cities and natural landscapes that both fit in the palm of her hand and are expansive enough to pass through on foot. Using dozens of layers of paper for a single project, Shibata carves miniature houses, clouds, and tree-filled forests that eventually are illuminated in glass vessels, stored safely in a book, or erected in large-scale installations.
The artist tells Colossal that she doesn’t use pencil outlines, in part because the white paper isn’t durable enough to be erased if there’s an error. More Continue reading
Paging through a photo album detailing every moment of a friend’s poolside vacation might not be a riveting activity, but flipping through Angela Mckay’s sketchbooks filled with tiny paintings of her travels certainly is. The Brooklyn-based pattern designer and illustrator of Okhii Studio documents the lush scenery, cavernous waters, and hilly villages she sees on the streets of Lagos, Calamosche Beach on Italy’s southern coast, and in Joshua Tree National Park. Mckay generally positions her miniature paintings against the real-life backdrop, juxtaposing the two depictions that she then shares on Instagram. More Continue reading
Belgian artist Élodie Antoine understands the behavior of fibers, controlling them in ways to produce textile designs that are organic, fungal, and oftentimes anatomical in nature. Her anatomies emerge from taut lycra, dense felt structures, and an impressive number of zippers. The pieces are as much a reflection of the numerous tissue types in the human body as the textiles themselves.
Antoine shares with Colossal her view on the connection between textiles and anatomy. More Continue reading
Suzanne Saroff doesn’t mind if her audience has a distorted view of the vibrant flowers and leaves she captures. The New York-based photographer, who’s worked with a long list of clients like Calvin Klein, Glossier, and Prada, is a master of illusion in her tonal images that place florals behind clear glasses of water, skewing their structures in her red, pink, and beige compositions.
Saroff tells Colossal that her latest work revisits elements of distortion she used in previous projects that framed images of bananas, avocados, and fish behind glass vessels filled with water. More Continue reading
Moscow-based artist Nastasya Shuljak transforms packs of wool into sculptures of small animals and other whimsical creatures. Plants sprout from the heads of smiling trees and other natural spirits. Polar bears, foxes, hares, and other critters stare through inquisitive eyes applied to their tiny woolen faces. Shuljak’s toys are an exercise in the flexibility of the material and also a way to bring joy to all who meet them.
Shuljak, a former theater artist and art teacher, tells Colossal that the practice of making creatures began when friends gifted her some wool. More Continue reading
Marianne Eriksen Scott-Hansen doesn’t have to worry about her flowers wilting. She constructs enormous bouquets of tissue paper blossoms featuring countless petals and leaves in color-coordinated bunches. The Copenhagen-based artist tells Colossal that she doesn’t keep track of the pieces of paper or number of hours she spends on her large-scale projects, preferring to focus on creating rather than the actual process of cutting and shaping. Each piece is crafted by hand and without patterns or templates, making every petal, stem, and bit of pollen unique. More Continue reading
Chicago-born artist Harmonia Rosales says her striking portraits speak to “the part of me that has been the least represented in our society.” Rosales tells Colossal that much of her work—she largely features a central black figure surrounded by floral and animalistic details—is linked to her Afro-Cuban background. “I empower women of color through art that challenges ideological hegemony in contemporary society,” she writes. “The black female bodies of my paintings are the memory of my ancestors expressed in a way to heal and promote self-love.”
In “Harvest,” a seated woman holds three children, while two others gather at her bare feet. More Continue reading
Russian artist and photographer Slava Semeniuta (aka VISUAL SCIENTIST) retouches digital photographs of puddles to create vibrant compositions of “REGULAR RAIN.” Every color of the light spectrum is reflected in neon on the smooth surface of water as it falls and sits on the asphalt. The macro view of wet streets creates a cosmic feeling for common terrestrial scenes.
Semeniuta tells Colossal that he was inspired to create the photo series a couple of weeks ago in Sochi. More Continue reading
London-based artist Daisy Collingridge layers amorphous blobs of fabric and textiles to form wearable pastel-colored body suits. With names like Burt, Clive, and Lippy, each member of Collingridge’s family has a personality that matches his/her form. Inspired by human anatomy and infused with elements of fantasy and impulse, the artist says that the costumes are an exercise in “pushing quilting to the absolute extreme.”
Each new character begins with the construction of the head. More Continue reading
Illinois-based Aleia Murawski and Sam Copeland have a knack for creating miniature—and slimy—worlds just big enough for their tiny acquaintances to glide through. The creative duo is known for constructing realistic domestic settings featuring plastic covered furniture and a messy painting studio occupied by snails for its stills and short films. Now, though, the artists are pushing the critters beyond their comfortable homes for a fun night out. The snails are shot sliding up to a limo, basking under the glimmer of a disco ball, and gobbling up a cheeseburger in a quaint diner. More Continue reading