Art Without Intent Celebrates the Aesthetics and Mysterious Histories of Found Objects
November 25, 2022

“The found object is an illegible, unknowable thing, out of reach even when in hand,” reads a statement of Art Without Intent, both a collaborative project and a way of looking at historic material culture. In March 2022, a group of nine antique and art dealers curated the Found Object Show in New York City. Crackled paint, weathered patinas, eccentric shapes, and amusing juxtapositions characterized the pop-up exhibition of 96 eccentric items. More

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Delicate Spikes and Lush Petals Bloom from Avital Avital’s Voluptuous Porcelain Vessels
November 15, 2022

The diverse world of plants and flowers is a source of fascination for ceramic artist Avital Avital, who crafts delicately detailed vessels from porcelain. In her studio in Ramat Gan, Israel, the artist sculpts slender petals, fragile spikes, and orbs dabbed with confectionary-like dots. She is interested in the relationship between functionality and decoration, drawing on the rich history of clay as a medium and mingling technical skill with conceptual ideas.
Inspired by nature’s boundless variety of forms and colors, her choice of material complements her subject matter: “I am interested in balancing between the delicacy of the porcelain and its strength and to use its potential transparency by sculpting colorful petals that are skin-like when directed to a source of light.”
You can find more of Avital’s work on Instagram. More

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Delicate Spikes and Lush Petals Bloom from Avital Avital’s Voluptuous Porcelain Vessels appeared first on Colossal.

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In Bold Self-Portraits, Fantastical Masks Camouflage Noah Harders in Flora and Fauna
October 27, 2022

Native Hawaiian artist Noah Harders takes a whimsical approach to style in Moemoeā, his first institutional exhibition opening next week at the Honolulu Museum of Art. Translating to dream or fantasy, the show’s title offers a conceptual, political, and aesthetic foundation for Harders’ vast array of works that transform crustacean shells, skeletal remains, lush jade flowers, and other organic matter into sculptural wearables. The fashions are intricately constructed and mask most of the artist’s face as he captures their sprawling forms through bold self-portraiture, which he describes as fostering a connection between himself and the found objects. More Continue reading

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Bound by Cord, the Women of Arghavan Khosravi’s Paintings Exemplify the Borderless Fight for Equality
August 26, 2022

Through layered, mixed-media paintings, Iranian artist Arghavan Khosravi (previously) alludes to the multivalent effects of losing freedom and human rights. Elastic cord binds her protagonists to their own limbs or surroundings, their individual characteristics partially concealed or fragmented as a result of restriction. Her subjects are often women who are confined to domestic spaces, hidden behind painted wooden panels, or physically tied to a situation or person.
Working in vibrant, saturated colors, Khosravi blends surreal imagery with the motifs of Persian textiles and architecture. More Continue reading

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Wildly Expressive Masks by Karolina Romanowska Freeze Contradictory Emotions in Ceramic
July 19, 2022

“Extremely resilient yet fragile” is how artist Karolina Romanowska describes the moody, anthropomorphic characters that comprise her series of sculptural works. Romanowska hand-builds a vast array of fantastical personas from clay, using a combination of slabs, coils, and molds to form flat tongues, individual teardrops, and horns with pointed tips. The contradictions inherent within the figures’ expressions are the conceptual counterpart to the ceramic material, she says, referring to both its ability to withstand fire and its propensity to fracture or burst upon impact. More Continue reading

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Mystery and Disquieting Stillness Pervade the Surreal, Conceptual Photos by Oleg Oprisco
July 15, 2022

Throughout Russia’s war, photographer Oleg Oprisco (previously) has remained in his native Ukraine creating works that reflect the unjust aggression and its devastating effects. Oprisco is known for his conceptual shots that involve elaborately constructed props and scenes that capture his distinct sense of surreality. Relying on neutrals and subdued tones rather than a bold color palette, the mysterious, dreamlike images tend to center on a single figure within a quiet and unoccupied landscape. More Continue reading

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Web-Like String Installations by Chiharu Shiota Hold Tension Between Absence and Existence
April 28, 2022


A profound sense of curiosity and a search for answers consumes Chiharu Shiota’s practice. The Osaka-born, Berlin-based artist is known for her massive installations that crisscross and intertwine string into mesh-like labyrinths. Simultaneously dense in construction and delicate and airy, the site-specific works rely on negative space and a recurring theme of “absence in existence,” Shiota tells Louisiana Channel in a new interview.
Chronicling the artist’s evolution and surveying her works across decades, the short film visits her Berlin studio, where a suspended boat hangs from the ceiling and Shiota shares some childhood paintings. More Continue reading

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An Abandoned Farmhouse Transformed Into a Life-Size Dollhouse by Heather Benning Reflects on Ideas of Home
April 22, 2022

A sight familiar to those who travel along the old roads and by-ways of the North American countryside, an abandoned farmhouse is a touching reminder of changes in the landscape and the people who live there. Based in rural Saskatchewan, artist Heather Benning has spent the last several years making work that explores themes related to the impact of large-scale, industrialized agriculture on local communities, family farms, and a sense of home. In 2007, this took the shape of “The Dollhouse,” a monumental artwork constructed within a dilapidated homestead near the tiny town of Sinclair, Manitoba, that had been empty since the 1960s. More Continue reading

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