Nevermore Park Manifests the Fictional Universe of Hebru Brantley’s Flyboy and Lil Mama
March 5, 2020

Packed within a 6,000-square-foot space on Chicago’s south side is a fictional universe teeming with pinned up newspaper clippings, towers of retro electronics, and tons of vintage advertising from McDonald’s to Vienna Hot Dogs. It’s the world of Hebru Brantley’s iconic characters, Lil Mama and Flyboy, whose enlarged head rests on the floor in one room of the immersive installation, titled Nevermore Park. Moving through the pathways lined with plastic toys and paint-spattered pallets, visitors pass a downed spaceship and a brick wall of street art, elements that structure Brantley’s narrative for the surreal environment. More Continue reading

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Nearly 100,000 Images by Harlem Photographer Shawn Walker Acquired by Library of Congress
February 29, 2020

Working alongside the Photography Collections Preservation Project, the Library of Congress recently announced that it has acquired nearly 100,000 photographs, negatives, and transparencies by Harlem-based African American photographer Shawn Walker. Depicting the rich culture of the New York City neighborhood, the collection spans nearly six decades from the 1960s to the present and is the first comprehensive archive of an African American photographer to join the national library. More Continue reading

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Generative Geography: Postcommodity in Conversation
January 27, 2020

 On January 17 at the San Francisco Institute of Art, Cristóbal Martínez of the collective Postcommodity spoke to A.i.A.’s Brian Droitcour about The Point of Final Collapse, a sound installation that plays every day at 5:00p.m. from SFAI’s tower. (Kade L. Twist, the other member of Postcommodity, was unable to participate due to illness.) […] Continue reading

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