Just like a recent study reporting that facial expressions are more complex than we think, Fan Yanting wants to delve into the sentiment behind the scowl or smirk on a stranger’s face. The Taiwanese artist shapes small vessels and dinnerware in neutral tones that don a series of emotions, from an unsmiling vase to a set of defensive mugs. Only starting to create ceramics during the last year, Fan hand-sculpts each set of eyes, nose, and mouth without deciding which emotion he’s trying to capture beforehand. More Continue reading
Suzanne Jackson’s exhibition at Ortuzar Projects was an autobiography in visual form. Continue reading
Barcelona-based painter and photographer Connor Addison situates his recent series of oil paintings within the context of philosopher Edmund Burke’s theory of the sublime. That notion is based on the idea that “whatever is in any sort terrible or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling.” Aptly titled Sublime Affliction, Addison’s works often feature one or two people lying or sitting still, their expressions conveyed by the shaded geometric shapes that form their fragmented faces and bodies. More Continue reading
During a material experiment, Dutch designer Bertjan Pot, along with his fellow designer Vladi Rapaport, discovered a technique for stitching together lengths of brightly colored rope to create interesting face masks. Though reminiscent of tribal masks and seemingly full of meaning and individual narratives, Pot says that the faces came from a less-than-successful attempt at making rugs.
When trying to turn the rope into rugs, Pot found that the material would not stay flat. More Continue reading
Moscow-based artist Nastasya Shuljak transforms packs of wool into sculptures of small animals and other whimsical creatures. Plants sprout from the heads of smiling trees and other natural spirits. Polar bears, foxes, hares, and other critters stare through inquisitive eyes applied to their tiny woolen faces. Shuljak’s toys are an exercise in the flexibility of the material and also a way to bring joy to all who meet them.
Shuljak, a former theater artist and art teacher, tells Colossal that the practice of making creatures began when friends gifted her some wool. More Continue reading
As demonstrated by the paintings in the Metropolitan Museum of Art’s retrospective of Vallotton’s work, “Painter of Disquiet,” the artist was a fine colorist, on par with his better-known peers. Yet his signature contributions to modern art eschewed the riotous chromatic wallpaper of Bonnard and Vuillard—and even color in general. Continue reading
The familiar faces of friendly puppets like Kermit and Elmo are missing from Judith Hope’s enlarged microbe creations that magnify the world’s tiniest organisms. A brown bacteriophage, commonly known as a virus, features six moveable legs powered by a hand-operated device, while a pink tardigrade stands upright and sways side-to-side. Sometimes referred to as a “water bear,” the tardigrade imitates a resilient animal who can survive in extreme conditions and is usually only .02 inches long when fully grown. More Continue reading