Tag Archives: felt

A controversial move by Yale University’s art history department is part of a larger shift taking place. Continue reading →

The artist delivers everything a 21st-century museum could ask for—in one sleek mirrored box. Continue reading →

Artist Glen Taylor solders ridges of metal to porcelain fragments, completing a halved teacup or broken saucer with a range of unusual materials: barbed wire, tarnished silverware, old book pages, and multicolored twine form a portion of the household objects. Each intervention contrasts the pristine, delicate qualities of the porcelain with the visible rust, unwieldy strings, and patchwork metals.
A cabinetmaker for much of his life, Taylor originally worked with pottery but found it limiting until he started breaking his ceramics into pieces. More Continue reading →

Nearly a third of workers at the museum signed a letter decrying a lack of accountability. Continue reading →

In The Redemption, photography-based artist Tawny Chatmon (previously) celebrates the beauty of Black hair through a series of arresting portraits superimposed with 24 karat gold flourishes. Each photograph features a solemn child who’s dressed in hand-painted ornate, gilt garments that are inspired by Austrian painter Gustav Klimt’s Golden Phase. “These portraits are meant to act as a counter-narrative and redemptive measure to uplift and elevate Black hair, tradition, and culture freeing us from negative stereotypes,” Chatmon says in a statement. More Continue reading →

With the museum turning 20, look back on its history. Continue reading →

In the interregnum of this socially distanced spring, reading Hal Foster’s What Comes After Farce? Art and Criticism at a Time of Debacle felt like a whirlwind tour through a period that had suddenly become historical, much faster than its author could have anticipated. Out from Verso Books today, the volume assembles eighteen short texts […] Continue reading →

Lenore Tawney pioneered techniques for creating sculptural, expressive weavings. Continue reading →

The fair canceled its 2020 edition because of the coronavirus. Continue reading →

In a comic reversal of the usual roles, it’s the parents hiding the porn from their children in Circus of Books, the new Netflix documentary by artist, musician, and filmmaker Rachel Mason. Continue reading →

Her spare prints conjured Indian history and events from her own life through abstraction. Continue reading →

Her photography considered pressing subjects that are only now being given their due. Continue reading →

Curators from the Van Gogh Museum in Amsterdam, the Metropolitan Museum of Art in New York, and other international institutions weighed in. Continue reading →

You have questions. The former Venice Biennale curator has answers. Continue reading →


With one-third of the world’s population currently under some level of quarantine, the streets of major cities like Amsterdam, New York City, and San Francisco are an unusual and unsettling sight. Film director and cinematographer Jean Counet, who shot “Meanwhile in Amsterdam,” shows the capital city almost entirely deserted. Public transit is empty and a four-minute walk reveals less than a dozen passersby.
Counet tells Colossal that “Meanwhile in Amsterdam” came together like any other film, except that “this time there was no director, and no plan,” he says. More Continue reading →

During the last four years, the Royal Bank of Scotland launched a democratic project to capture what one collaborator termed “the more ordinary aspects of Scottish identity including otters, midges, mackerel and tweed.” The result is Fabric of Nature, a series of recently released banknotes that feature illustrated wildlife and portraits of some of Scotland’s most influential women. This week, the third installment of the project was released, presenting a new £20 note featuring a pair of bushy-tailed red squirrels. More Continue reading →

Utilizing the reflections on soaring buildings, Seattle-based photographer Navid Baraty (previously) frames New York City in sections of just a few blocks. Although the traffic-packed streets and countless windows on high-rises can be seen from the ground, Baraty’s aerial shots in his ongoing Hidden City II series provide a distinct look at the area’s density and compactedness. “Most of our perceptions of cities involve us walking the busy streets and staring up at the towering skyscrapers above,” he writes. More Continue reading →

Andrea Love (previously) is back with a new heart-felt animation detailing the journey of a six-year-old girl named Tulip. An adaptation of Hans Christen Anderson’s Thumbelina, the 8-minute short film will chronicle Tulip’s adventures navigating a dense garden after being born from a flower. “We wanted to create a contemporary adaptation of Thumbelina that allows Tulip to be a child, free from a love-story ending and able to find home in more places than one, while maintaining the original story’s themes of risk, adventure and magic,” a statement about the project says. More Continue reading →

Belgian artist Élodie Antoine understands the behavior of fibers, controlling them in ways to produce textile designs that are organic, fungal, and oftentimes anatomical in nature. Her anatomies emerge from taut lycra, dense felt structures, and an impressive number of zippers. The pieces are as much a reflection of the numerous tissue types in the human body as the textiles themselves. 
Antoine shares with Colossal her view on the connection between textiles and anatomy. More Continue reading →

In an effort to make the ongoing effects of climate change more visible, needleworkers around the globe are creating temperature blankets and scarves that track local weather patterns. Earlier this month, writer Josie George began an expansive Twitter thread about the project, motivating others to share their similar work. “I decided that this year, every day, I would knit a row on a scarf to mark the corresponding daily temperature/weather of my town,” George wrote in the original post. More Continue reading →