In a New Stop-Motion Film, Swoon Explores Trauma, Memory, and the Body
March 25, 2020

Caledonia Curry, aka Swoon, is known for her street art utilizing paper that’s pasted onto building walls, but the Brooklyn-based artist has made a recent pivot that transfers her mythical style to stop-motion animations. Part of her solo exhibition Cicada, Curry’s short film “Sofia and Storm” is centered on a human-arachnid hybrid. After emerging from a dense mass, the gold-faced feminine figure opens up her chest cavity to reveal dark, hanging matter that eventually is absorbed. More Continue reading

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Human Figures Removed from Classic Paintings by Artist José Manuel Ballester
March 23, 2020

Despite being a couple of years old, José Manuel Ballester’s artworks feel eerily familiar in the time of COVID-19. The Spanish artist recreates classic paintings like Goya’s “The Third of May 1808,” Vermeer’s “The Allegory of Painting,” and Botticelli’s “The Birth of Venus,” except he leaves out one central aspect: humans. Some of Ballester’s digital versions retain remnants of the former subjects, showing blood-covered ground marking the spot of a gruesome battle or even a faint outline of the sitter in an unfinished portrait. More Continue reading

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Human Subjects Distorted by Nature in Double-Exposure Photographs by Christoffer Relander
March 19, 2020

During the first frost in the southern region of Finland, Christoffer Relander (previously) shot dense patches of branches, ferns, and blades of grass as part of a new set of double-exposure photographs. Titled We Are Nature Vol. 6, the monochromatic project merges human figures with nature to generate a portrait of a woman whose forehead is substituted with overflowing brush. Another image shows two kids whose features are obscured by leaves and vines. More Continue reading

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A Gear System Helps Visualize the Magnitude of One Googol, or 1 Followed by 100 Zeros
March 10, 2020

To celebrate spending one billion seconds on Earth, Daniel de Bruin created a gear system that represents the number googol (that’s the digit 1 with 100 zeros behind it). Every time the first wheel completes 1,000 rotations, which happens in about an hour, the second gear turns 100 notches and the third 10. Each following wheel is reduced by 10, meaning in order to turn the last and 100th one, the system would need a googol of energy, which the Netherlands-based designer says is “a number that’s bigger than the atoms in the known universe.” He tells Colossal that when working perfectly, each gear is perpetually in motion. More Continue reading

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Frightening Animation Compares the Size of Asteroids in the Solar System to New York City
February 25, 2020


A new animation created by Alvaro Gracia Montoya of MetaBallStudio provides a terrifying look at the exceptional asteroids currently in the solar system. The video begins by comparing a human to one of the minor planets before revealing their enormity as the following asteroids quickly dwarf New York City in its entirety. 2008 TC3 is the smallest shown with a mean diameter of about 4.1 meters, while the largest is 1 Ceres, which has a mean diameter of about 939 kilometers. More Continue reading

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Faces Emerge from Minimalist Ceramics by Fan Yanting to Consider Emotional Depth
February 21, 2020

Just like a recent study reporting that facial expressions are more complex than we think, Fan Yanting wants to delve into the sentiment behind the scowl or smirk on a stranger’s face. The Taiwanese artist shapes small vessels and dinnerware in neutral tones that don a series of emotions, from an unsmiling vase to a set of defensive mugs. Only starting to create ceramics during the last year, Fan hand-sculpts each set of eyes, nose, and mouth without deciding which emotion he’s trying to capture beforehand. More Continue reading

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Sheets of White Paper Layered into Dense Cityscapes and Forests by Ayumi Shibata
February 19, 2020

Japan-based artist Ayumi Shibata (previously) constructs intricate paper cities and natural landscapes that both fit in the palm of her hand and are expansive enough to pass through on foot. Using dozens of layers of paper for a single project, Shibata carves miniature houses, clouds, and tree-filled forests that eventually are illuminated in glass vessels, stored safely in a book, or erected in large-scale installations.
The artist tells Colossal that she doesn’t use pencil outlines, in part because the white paper isn’t durable enough to be erased if there’s an error. More Continue reading

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Anatomical Forms Emerge From Zippers, Quilted Fabric, and Felt by Élodie Antoine
February 14, 2020

Belgian artist Élodie Antoine understands the behavior of fibers, controlling them in ways to produce textile designs that are organic, fungal, and oftentimes anatomical in nature. Her anatomies emerge from taut lycra, dense felt structures, and an impressive number of zippers. The pieces are as much a reflection of the numerous tissue types in the human body as the textiles themselves. 
Antoine shares with Colossal her view on the connection between textiles and anatomy. More Continue reading

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Life’s Sublime Moments Unearthed in Cubist Paintings by Connor Addison
February 13, 2020

Barcelona-based painter and photographer Connor Addison situates his recent series of oil paintings within the context of philosopher Edmund Burke’s theory of the sublime. That notion is based on the idea that “whatever is in any sort terrible or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling.” Aptly titled Sublime Affliction, Addison’s works often feature one or two people lying or sitting still, their expressions conveyed by the shaded geometric shapes that form their fragmented faces and bodies. More Continue reading

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A Minimalist Home in Japan Utilizes a Tent Structure With Open Air Sides
February 12, 2020

A new tent-shaped home built in a small agricultural village near Nagoka, a city in the Niigata prefecture of Japan, is designed with a community in mind, rather than a single family. Conceived of by Takeru Shoji Architects, the 166.24 square-meter “Hara House” is situated on a larger estate and utilizes a simple A-frame structure made up of 120 millimeter-wide beams. The two-story home has a kitchen, bathroom, bedroom, and living space downstairs, with storage and two small rooms upstairs. More Continue reading

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Floorboards Burst in Destabilizing Wood Installations by Serra Victoria Bothwell Fels
January 30, 2020

Knoxville, Tennessee-born artist Serra Victoria Bothwell Fels ruptures long-held conceptions that human environments are stable⁠—literally. Part of two different projects at Catinca Tabacaru Gallery and the John Michael Kohler Arts Center, Bothwell Fels creates ridge- and mountain-like installations that split and burst through the floorboards, sometimes even spanning multiple rooms. With lighter pigmented tops, the wood pieces swell and expand, solidifying their resemblance to natural features.
The artist’s goal is to transform mundane spaces into areas of disruption, forcing her viewers to question how their environments inform their senses of reality. More Continue reading

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Squishy Flesh Suits Quilted by Textile Artist Daisy Collingridge
January 18, 2020

London-based artist Daisy Collingridge layers amorphous blobs of fabric and textiles to form wearable pastel-colored body suits. With names like Burt, Clive, and Lippy, each member of Collingridge’s family has a personality that matches his/her form. Inspired by human anatomy and infused with elements of fantasy and impulse, the artist says that the costumes are an exercise in “pushing quilting to the absolute extreme.”
Each new character begins with the construction of the head. More Continue reading

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Hidden Paintings Revealed with Each Turn of an Anamorphic Glass Sculpture by Thomas Medicus
January 15, 2020

In his latest project “What It Is Like To Be,” artist Thomas Medicus (previously) employs his illusory  style to create an anamorphic glass sculpture that changes with every 90 degree turn. The cubic piece is comprised of 144 glass strips that are arranged to depict four distinct images—clothes strung up on a line, bats clinging to a branch as they hang upside down, a diverse patch of mushrooms, and three figures who are caught in the rain. More Continue reading

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