A Dense Cluster of Birdhouses by Artist Bob Verschueren Rests in a Treetop
April 6, 2020

Hopefully, the birds flocking to Bob Verschueren’s wooden housing complex won’t mind if their neighbors stay up late chirping or make too much noise as they head out in the morning to look for worms. Resembling a dense apartment building with shared walls and common perches, Vershueren’s “Implantations” features rows of stacked homes that vary in size for multiple birds to live in simultaneously. They’re a stark contrast to traditional single-family birdhouses. More Continue reading

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168,000 Numbers Suspended From the Ceiling in Color-Coded Installation by Emmanuelle Moureaux
March 17, 2020

In an effort to merge the past, present, and future in a single work, Tokyo-based French architect and designer Emmanuelle Moureaux (previously) hung 168,000 paper numbers in rainbow-like rows to create her latest piece, “Slices of Time.” The suspended project contains 100 hues, in addition to white, that are formed into a vibrant cylinder meant to serve as a visual representation of Earth. “She uses colours as three-dimensional elements, like layers, in order to create spaces, not as a finishing touch applied on surfaces. More Continue reading

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Nevermore Park Manifests the Fictional Universe of Hebru Brantley’s Flyboy and Lil Mama
March 5, 2020

Packed within a 6,000-square-foot space on Chicago’s south side is a fictional universe teeming with pinned up newspaper clippings, towers of retro electronics, and tons of vintage advertising from McDonald’s to Vienna Hot Dogs. It’s the world of Hebru Brantley’s iconic characters, Lil Mama and Flyboy, whose enlarged head rests on the floor in one room of the immersive installation, titled Nevermore Park. Moving through the pathways lined with plastic toys and paint-spattered pallets, visitors pass a downed spaceship and a brick wall of street art, elements that structure Brantley’s narrative for the surreal environment. More Continue reading

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Sheets of White Paper Layered into Dense Cityscapes and Forests by Ayumi Shibata
February 19, 2020

Japan-based artist Ayumi Shibata (previously) constructs intricate paper cities and natural landscapes that both fit in the palm of her hand and are expansive enough to pass through on foot. Using dozens of layers of paper for a single project, Shibata carves miniature houses, clouds, and tree-filled forests that eventually are illuminated in glass vessels, stored safely in a book, or erected in large-scale installations.
The artist tells Colossal that she doesn’t use pencil outlines, in part because the white paper isn’t durable enough to be erased if there’s an error. More Continue reading

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Floorboards Burst in Destabilizing Wood Installations by Serra Victoria Bothwell Fels
January 30, 2020

Knoxville, Tennessee-born artist Serra Victoria Bothwell Fels ruptures long-held conceptions that human environments are stable⁠—literally. Part of two different projects at Catinca Tabacaru Gallery and the John Michael Kohler Arts Center, Bothwell Fels creates ridge- and mountain-like installations that split and burst through the floorboards, sometimes even spanning multiple rooms. With lighter pigmented tops, the wood pieces swell and expand, solidifying their resemblance to natural features.
The artist’s goal is to transform mundane spaces into areas of disruption, forcing her viewers to question how their environments inform their senses of reality. More Continue reading

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Oversized Paper Flowers Bloom in Lush Bunches by Marianne Eriksen Scott-Hansen
January 29, 2020

Marianne Eriksen Scott-Hansen doesn’t have to worry about her flowers wilting. She constructs enormous bouquets of tissue paper blossoms featuring countless petals and leaves in color-coordinated bunches. The Copenhagen-based artist tells Colossal that she doesn’t keep track of the pieces of paper or number of hours she spends on her large-scale projects, preferring to focus on creating rather than the actual process of cutting and shaping. Each piece is crafted by hand and without patterns or templates, making every petal, stem, and bit of pollen unique. More Continue reading

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A Fleet of Magnificent Paper Aircraft by Zim & Zou Heads for an Unknown World in ‘Exodus’
January 28, 2020

These intricate paper ships crafted by Zim & Zou (previously) form a collective perpetually in search of alternate realities as part of “Exodus.” From their layered propellers to their waving pennants, the bright pink, blue, and purple aircraft are constructed entirely by hand. Each body displays multiple geometric patterns created with cut and stacked paper that match the rest of the fleet. The Dordogne, France-based artistic duo calls this personal project “an ode to travel. More Continue reading

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Generative Geography: Postcommodity in Conversation
January 27, 2020

 On January 17 at the San Francisco Institute of Art, Cristóbal Martínez of the collective Postcommodity spoke to A.i.A.’s Brian Droitcour about The Point of Final Collapse, a sound installation that plays every day at 5:00p.m. from SFAI’s tower. (Kade L. Twist, the other member of Postcommodity, was unable to participate due to illness.) […] Continue reading

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Giant Seesaws Transform New York City’s Garment District into Light-Filled Urban Playground
January 7, 2020

New York City’s Garment District recently received a dose of cold-weather fun with Impluse, an interactive installation of 12 oversize seesaws that glow and emit sound when someone hops on one end. Originally shown at the Place Des Festivals in Montreal in 2016 before traveling to cities like Chicago, Boston, Scottsdale, the installation allows users to produce their own light and sound shows that transform the city’s dreary January streets. More Continue reading

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