Industrial Materials Reconstruct Local History on a Monumental Scale in Public Sculptures by David Mach
November 30, 2022

Known for sculptures and assemblages that utilize everyday objects like bricks, coat hangers, and matches, Scottish artist David Mach has embarked on numerous large-scale, public projects that draw inspiration from local history. In his monumental “Brick Train” in Darlington, he taps into regional heritage through the use of red brick and the depiction of a life-size steam locomotive. The industrial revolution of the 19th century spurred a need to move materials like coal and steel around the country, and the first railway to use steam engines to transport passengers also originated in the area. More

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Art Without Intent Celebrates the Aesthetics and Mysterious Histories of Found Objects
November 25, 2022

“The found object is an illegible, unknowable thing, out of reach even when in hand,” reads a statement of Art Without Intent, both a collaborative project and a way of looking at historic material culture. In March 2022, a group of nine antique and art dealers curated the Found Object Show in New York City. Crackled paint, weathered patinas, eccentric shapes, and amusing juxtapositions characterized the pop-up exhibition of 96 eccentric items. More

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Artist Harmonia Rosales Reinterprets Genesis through a Stunning Subversion of the Sistine Chapel
November 21, 2022

At the heart of Garden of Eve, Harmonia Rosales’ comprehensive exhibition at UTA Artist Space in Beverly Hills, is the power of narrative. The show spans years of Rosales’ career, featuring dozens of portraits in oil and perhaps the grandest work she’s produced thus far: encircled with lights, an upturned ship towers over the gallery, allowing viewers to pass underneath and peer upwards at the frescoed expanse.
Referencing the vessels utilized in the transatlantic slave trade, the lofty structure re-envisions the ceiling of the Sistine Chapel and uses Michaelangelo’s Renaissance works as a blueprint to recast Genesis through the lens of female empowerment and Orishas, deities in religions of the African diaspora. More

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A Landmark Retrospective and Book Delve into Two Decades of Artist Theaster Gates’ Career
November 11, 2022

The first major retrospective of its kind, Young Lords and Their Traces unveils the aesthetic and intellectual lineage that’s guided artist Theaster Gates for the past two decades. Accompanied by a forthcoming monograph, the landmark exhibition encompasses a broad swath of Gates’ work and life and shows how his understandings of preservation, memory, and collective knowledge have continually evolved and manifested. In addition to vast archives, small ceramic sculptures, and his sweeping, multi-panel tar paintings, the Chicago-based artist also brings new site-specific installations to the New Museum to create communal spaces for gathering and reflection. More

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Dried Flowers Are Arranged into Passageways and Processions in Installations by Rebecca Louise Law
November 5, 2022

For millennia, dried flowers have been prepared for a vast array of uses ranging from decoration and fragrance to pigments and medicine. British artist Rebecca Louise Law taps into our perennial fascination with florals for her monumental, immersive installations. Exploring our relationship with the natural environment and the way blooms and botanicals have influenced cultures throughout history, her reinterpretations of existing architecture encourage the viewer to move around the space in a new way. More

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In ‘Blow Out,’ Artist Genesis Belanger Lures the Uncanny and Anxious Out of Everyday Objects

Described as fostering “a sense of lobotomized capitalist productivity,” artist Genesis Belanger coaxes tension from the mundane. Her stoneware sculptures are at once disconcerting and commonplace, depicting the uncanny remnants of a dinner party, medical furniture draped with lanky, limp limbs, and a discount shop hawking carved oranges, a half-eaten cookie, and apples chewed to their cores.
More elaborate than her previous works, Belanger’s newest tableaus are similarly dramatic in subject matter while soft and subtle in visual tone—rather than glazing the ceramic sculptures, she blends powdered pigments into the material itself with a kitchen mixer, a practice that allows her to achieve her signature muted effect. More

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In ‘The Boy Who Wanted to Fly,’ Sentrock Imagines the Origin of His Signature Bird Character
September 26, 2022

Wander through Chicago’s streets, and you’re bound to encounter one of Sentrock’s signature bird characters (previously). Disguised in a red mask with big eyes and round, pink cheeks, the boy is curious, imaginative, and playful, often seen interacting with animals, daydreaming, or riding a bike. The fictional figure is also the artist’s expression of strength and hope, particularly as it relates to his own childhood in the Mexican-American community of the city’s Pilsen neighborhood. More Continue reading

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At the Armory Show, Ane Graff Mines Disruptive Materials
September 10, 2022

Norwegian artist Ane Graff is becoming increasingly known for her works that consider the body’s internal world and the countless outside forces that might interrupt it. In a new group of works presented by Oslo-based dealer OSL Contemporary at the 2022 Armory Show, Graff undertakes a close examination of materials found in household spaces and […] Continue reading

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A Nearly 500-Page Monograph Chronicles Three Decades of Olafur Eliasson’s Practice
August 25, 2022

A forthcoming monograph published by Phaidon packs the inimitable career of artist Olafur Eliasson (previously) into nearly 500 pages. Spanning from the 1990s to today, the expanded edition comprises a breadth of works, including “The Weather Project,” the widely acclaimed installation that took over Tate Modern in 2003, and the more recent “Life,” which flooded Fondation Beyeler in Basel last year with murky green waters. More Continue reading

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