Cuts amount to almost a 20 percent decrease in the mega-gallery’s workforce. Continue reading
A market craving for Surrealism has been led by Magritte’s art. Continue reading
As protesters around the world topple contested statues, the late artists’ legacy offers a vision for public art grounded in democratic processes. Continue reading
The immensity and depth of Mary Sibande’s multi-media artworks reflect the magnitude of her subject matter, which explicitly entwines the enduring effects of British imperialism and the apartheid. Through photographs, sculptures, and sprawling installations that scale floor to ceiling, the South African artist most often features a central Black woman, who is shown enveloped in purple roots or grasping thick, black thread dangling from a nearby portrait.
Named Sophie, the figure’s role is subversive and one that sheds light on the particularly “cruel history of Black female oppression and its implications in contemporary life—in particular, perception and ownership of freedom.” Sophie is dressed in color-specific costumes resembling Victorian-era clothing and often is wrapped in an apron, a garment synonymous with domestic work. More Continue reading
“Unfortunately, the uncertainties that we face remain too high,” the fair’s global director said. Continue reading
“I realized that my pessimism is realism and, of course, it’s long been time to get real.” Continue reading
With the museum turning 20, look back on its history. Continue reading
Often blurring or concealing the faces of her dramatically posed figures, Kylli Sparre (previously) captures magical portraits of young women and girls. The fine art photographer, who is based in Tallinn, captures her lone subjects amidst swirling swaths of fabric or perched atop a towering mass of bicycle wheels. Many are in motion, whether dancing against hazy landscapes and or scooting across calm waters.
Sparre tells Colossal that she’s begun to experiment with technical aspects of her process by using a scanner, piecing together images in collages, and experimenting with movement and exposure time. More Continue reading
Before crops are harvested and combine tracks mark the soil, Wyoming-based photographer Mitch Rouse captures the immaculately planted farmland that patterns the western United States. His captivating aerial shots frame the patchwork fields, concentric rows, and land-hugging lines formed with sprouted produce and vibrant trees. Sometimes disrupted by a natural landmark like a small mountain range, the photographer’s images provide a new perspective on the cultivated land.
Rouse tells Colossal that the Palouse—a major agricultural area in the northwest— is one of his favorite regions to visit because it’s often full of luxuriant fields. More Continue reading
In the interregnum of this socially distanced spring, reading Hal Foster’s What Comes After Farce? Art and Criticism at a Time of Debacle felt like a whirlwind tour through a period that had suddenly become historical, much faster than its author could have anticipated. Out from Verso Books today, the volume assembles eighteen short texts […] Continue reading
Josh Aronson “Florida, like a piece of embroidery, has two sides to it—one side all tag-rag and thrums, without order or position; and the other side showing flowers and arabesques and brilliant coloring.” Harriet Beecher Stowe, Abolitionist, Author, 1896 “The general wildness, the eternal labyrinths of waters and marshes, interlocked and apparently never ending; the … Continued Continue reading
Lenore Tawney pioneered techniques for creating sculptural, expressive weavings. Continue reading
Tucson-based artist Albert Chamillard (previously) spends hours, if not days or weeks, crosshatching cylinders, sliced cubes, and three-dimensional arrows. Rendered on vintage ledgers and graph paper, each geometric shape relies on the density of the artist’s pen markings to create works that appear to stand straight up off the page.
Chamillard describes his process as absorbing, often occupying him for hours at a time as he meticulously draws line after line. More Continue reading
Montreal-based artist Elisabeth Picard curls, fans, and locks together hundreds of zip-ties into tremendously formed glowing sculptures and undulating installations. The futuristic artworks merge geological and organic elements with science fiction to create abstract formations that the artist likens to “landscapes, minerals, plants, micro-organisms, and sea creatures.”
Picard tells Colossal that since she began working with the nylon links in 2011, she’s used more than 300,000 ties. The artist hand-dyes each piece with pastels, earth tones, and sometimes fluorescent hues that will later glow under UV light and add depth with shadows. More Continue reading
At first, the garments look as though they’ve been spun with a traditional medium—wool or yarn—but on closer inspection, it becomes apparent that the thin and springy mesh-like material is composed of thousands of elastic bands that have been knitted together. Made by Japanese designer Rie Sakamoto, the handmade collection is composed of a jacket and dress, each of which illustrates the diverse functionality of stationery items like rubber bands.
Sakamoto’s “rubber collection” initially was exhibited at Tama Art University in Toyko as part of a graduate exhibition and the garments, which took Sakamoto half a year to make, reflect on how overlooked materials and objects can have diverse uses in fashion, contemporary design, and art. More Continue reading
Museums in China are also starting to receive visitors once again. Continue reading
Curators from the Van Gogh Museum in Amsterdam, the Metropolitan Museum of Art in New York, and other international institutions weighed in. Continue reading