Artists, galleries, and other stakeholders in the crypto space are exploring online exhibition formats to cultivate value for NFTs. Continue reading
Assemblage as Medium and Method: “You’ve Come a Long Way, Baby: The Sapphire Show” at Ortuzar ProjectsJuly 30, 2021
Suzanne Jackson’s 1970 “Sapphire Show” protested Black women artists’ exclusion in Los Angeles. Continue reading
The artist will co-curate an exhibition at the Hammer Museum that is part of the Getty Foundation’s next PST initiative. Continue reading
He helped found MOCA Los Angeles during the ’70s and ’80s. Continue reading
Belgian artist Adele Renault (previously) has an unparalleled ability to turn an urban nuisance into an extraordinarily beautiful creature. Her oversized pigeons grace walls in cities around the world, creating public artworks that celebrate her favored subjects in the exact locations they’re often overlooked and disregarded.
A few years ago, Renault began what she calls “wandering in the macro world,” a venture that shifted her focus to the individual feathers she’s always found most alluring. More Continue reading
Bulging hunks of glaze and smooth, speckled drips flow from Brian Rochefort’s chunky ceramic sculptures. The Los Angeles-based artist continues his signature abstract style in a newer series of paint cans and oozing vessels, many of which resemble the crusty remnants of volcanic eruptions. Rochefort builds each piece from a combination of clay, glaze, and glass fragments through multiple rounds of firing in the kiln. The final assemblages are literally overflowing with speckles, gloopy lumps, and delicately cracked patches all layered in a kaleidoscope of color and texture. More Continue reading
“The market is back in fine form,” said auctioneer Sotheby’s Olivier Barker. Continue reading
Duplicate Figures Freeze in Motion as a Dancer Writhes and Contorts Her Body in an Entrancing Short FilmMay 10, 2021
“Weakness of the Flesh” is a captivating and eerie short film that appears to clone dancer Emma Rosenzweig-Bock, who twists and contorts her body amongst a sea of her own figure. Shot in Los Angeles, the disquieting piece contrasts Rosenzweig-Bock’s graceful sequences with more compulsive, Suspiria-esque jolts as she writhes and pulls her dirt-covered body from the concrete. As she dances, her doubles glitch and freeze in position, sometimes predicting her next move or remaining still in a previous bend. More Continue reading
Discarded Technology and Branded Trash Are Stacked into Dystopian Structures in Alvaro Naddeo’s PaintingsMay 7, 2021
Behind each one of Alvaro Naddeo’s watercolor paintings is an imagined character who’s built a rickety shopping cart structure or gathered waste materials for a tiny, mobile dwelling. “I believe they are strong people, resilient, and survivalists,” the Brazilian artist tells Colossal. “They use creativity to overcome obstacles and adapt to any situation they are put in. So in a way, both of them, characters and discarded objects, are proof that there’s value in everything if you know where to look for it.”
Evoking an alternative universe in a state of ruin, Naddeo (previously) renders ramshackle structures and vehicles—which only span a few inches—made primarily of outdated technology, rusted carts and frames, and a plethora of branded materials: a Marlboro sign props up an upper level, a Coca-Cola panel offers protection from the elements, and logoed posters and stickers cover almost every surface. More Continue reading
He and his wife Edythe opened a grand Los Angeles museum in 2015. Continue reading
Call it what you will—outsider art, folk art, visionary art, outlier art—but the artists associated with these overlapping and sometimes conflicting rubrics have two things in common: They are all visual autodidacts—self-taught, if you prefer—compelled for one reason or the next to create works of often astonishing impact. Continue reading
Olafur Eliasson’s Newest Exhibition Floods Fondation Beyeler with a Bright Green Pond Filled with PlantsApril 22, 2021
A flood of murky water overwhelms the stark white galleries of Fondation Beyeler in Basel, Switzerland. The new exhibition, simply titled “Life,” is the work of acclaimed Danish-Iceland artist Olafur Eliasson (previously), who set the Swiss institution awash in floating ferns, dwarf water lilies, shell flowers, red root floaters, and water caltrops.
To install the sprawling project, Eliasson removed the windows on one side of the museum’s facade, which allows visitors and nearby wildlife to enter the space at any time of day or night. More Continue reading
Amy Sherald plumbs the multitudes of Black leisure in The Great American Fact, a series of arresting portraits that are currently on view at Hauser & Wirth Los Angeles. From a woman resting on a bicycle to two surfers readying for the water, the oil-based paintings observe moments of respite and pleasure at a monumental scale, sometimes spanning nearly nine feet across.
Although she surrounds her subjects with vivid patches of color and portrays them wearing bright garments, Sherald (previously) continues to render her subjects’ skin in her signature grayscale, which she’s described in recent years as a way to have the figures read “in a universal way, where they could become a part of the mainstream art historical narrative.” This new series also features elements synonymous with American culture, including a white picket fence, Barbie T-shirt, and retro convertible. More Continue reading
It last sold at Sotheby’s in 2004 for $16.8 million. Continue reading
ARTnews in Brief: Jenkins Johnson Gallery Now Represents Lisa Corinne Davis—and More from April 5, 2021April 5, 2021
A continually updated post of goings-on around the world. Continue reading