Art world advice columnists on how artists and galleries can survive COVID-19. Continue reading
Being with oneself takes on a literal meaning in the works of Anders Krisár. The Stockholm-based sculptor and photographer focuses on the human body, creating analog casts from live models using silicone and plaster.
A self-taught artist, Krisár uses his own meticulous techniques and methods for creating a finished piece—constantly reworking the casts to a state of simplicity and smoothness. The impeccably smooth contours and precise cuts that he achieves makes each piece look more digitally rendered than created by hand. More Continue reading
Stacked Chevron, Multi-Colored Stripes, and Ornamental Motifs Detail Frances Priest’s Meticulous CeramicsApril 8, 2020
Based in Edinburgh, artist Frances Priest merges stripes, chevron, and asanoha designs into impeccably complex motifs. Generally utilizing bold color palettes, Priest’s hand-built vases and bowls begin with sketches on paper before being transferred to test slabs of clay. The artist says she treats “the surface much like a sheet of paper,” as she inscribes each vessel using scalpels, patterns, and aluminum stamps.
The entirety of the piece is enveloped in the surface design so the works appear to wrapped in, or constructed out of pattern.
In studios in Oslo and northern Italy, Norwegian sculptor Håkon Anton Fagerås uses a pneumatic hammer and other carving tools to shape blocks of marble into large white pillows. Slumped in natural poses, the realistic pillows feature smooth folds and wrinkles that contradict the properties of the medium. Without the shots of Fagerås in action, our eyes would not believe the finished products to be anything other than fabric and filler.
In an interview with Sculpture Atelier, Fagerås explained his interest in the medium, saying marble is best for expressing the nuances of emotion. More Continue reading