Photographer Erinn Springer explores her midwestern roots in her recent series, “Dormant Seasons.” Originally from Wisconsin, Springer went to school in New York City and is currently based between both places. Initially started as a way to interact with her family and greater Wisconsin community, the series has blossomed into a reflective exploration of self, … Continued Continue reading
Populated with low clouds, oversized peonies, and birds covered in fish scales, Thanh Nhàn Nguyễn‘s dreamscapes merge fantasy and tradition in a celebration of Vietnamese culture. In his series, Season of Life, the artist digitally renders demure figures who wear áo dài, a long, split gown that’s tied to ideas of feminine beauty. The women are enveloped by the magical environment and depicted with pale tendrils grasping their ankles or cloaked by a fiery, plant-filled mass. More Continue reading
In a New Novel, Critic Yxta Maya Murray Stakes a Claim for Women Artists of Color Who Get Erased From Art HistoryJanuary 15, 2021
Art Is Everything follows a queer Chicana performance artist as she confronts racism and misogyny. Continue reading
Step into Claudia Bueno’s aquarium-style installation at Meow Wolf’s new space in Las Vegas and experience the slow, oscillating movements of natural life. “Pulse” is comprised of countless white line drawings that are meticulously intertwined and superimposed on 60 glass panels. When illuminated, they mimic scores of nautilus spirals, coral, vines, and botanics that sway and throb in glowing masses.
“This is what ‘Pulse’ is, a way of creating animated volumes using layers of drawings that build up. More Continue reading
Staining friend’s hands with dandelion heads and blowing their wispy seeds are a common childhood pastime and a simple joy that Shota Suzuki channels in his delicately constructed sculptures. The Kyoto-based artist painstakingly carves copper, brass, and silver into barbed leaves and feathery seeds to recreate the ubiquitous herbs in each state of bloom and decay.
To tarnish the textured metals and alter their colors, Suzuki uses combinations of vinegar, copper sulfate, and acetic acid to create purples and blues. More Continue reading
Jason Anderson visualizes city skylines, swooping highway exchanges, and a range of urban landscapes through prismatic, impasto strokes of oil paint. The U.K.-based artist begins each painting with a black-and-white sketch before turning to the linen canvas and translating the lively works. In recent months, he’s incorporated more curved lines and saturated tones alongside the pastels he’s used previously, resulting in abstract scenes of horizons and city centers rendered through a mosaic of color. More Continue reading
Freeze Frame: A Meditative Stop-Motion Short Explores Preservation and Decay Through a Tedious Ice HarvestDecember 30, 2020
Brussels-based director Soetkin Verstegen bills her methodical and nostalgic animation “Freeze Frame” as a “miniature cinema inside an ice cube.” Produced in a grainy, vintage style, the black-and-white short loosely follows workers as they harvest and attempt to preserve the frozen blocks. Amidst scenes of the monotonous, assembly-line efforts are insects, frogs, and various creatures swimming across the frames and eventually, crystallizing into skeletal ice sculptures.
In a conversation with Short of the Week, Verstegen spoke to the difficulty of using such a transient material, calling it “the most absurd technique since the invention of the moving image.” The tedious nature of stop-motion further matches the repetitive movements of the film’s subjects, forming “a playful puzzle with formal ideas around early cinema, decay, and preservation.”
You can find more of Verstegen’s short films that experiment with animation techniques on Vimeo. More Continue reading
Spread flat or folded in shapeless piles, Cecil Kempernick’s bulky chain sculptures contrast the solid ceramic material with the flexibility of their shapes. The movable works are comprised of hundreds of loops that link together in sheets of earth tones and subtle gradients. Whether heaped on the floor or draped across Kempernick’s body, the hefty chain mail is at once supple and fragile.
The artist (previously), who is based on the island of Texel in the Netherlands, draws her understanding of motion from the surrounding water and environment. More Continue reading
Merging traditional craft techniques and the natural world’s abundant materials, Hillary Waters Fayle (previously) meticulously stitches brightly hued florals into found camellia leaves and other foliage. From simple lines and ribbing to fully rendered botanics, the thread-based embellishments interrupt the fragile matter. The resulting sculptures evidence nature’s durability while juxtaposing the organic material with the fabricated additions.
In the interview below, Waters Fayle describes how she gathers leaves and seed pods from areas around her home in Richmond, Virginia, and notes that her practice is rooted in sustainability. More Continue reading
Juxtaposing natural elements and mechanics, “Dialogo” harnesses the frenetic, indiscernible components of language into a synesthetic experience. A mix of stop-motion and live-action, the short film features entirely hand-crafted sculptures by the Madrid-based design studio blo que. Each motorized work translates human utterings into movement, whether through an undulating tube of neon or oscillating florals, generating new associations in a conversation between the senses.
To represent the original audio in a visual manner, blo que converts the speech waveforms into animation curves, which subsequently mobilizes the sculpture’s engines. More Continue reading
With his assemblages, he imbued everyday objects with rich histories. Continue reading
Wrapping a gallery space at the 2020 NGV Triennial is a bowed pavilion of tessellating wood. A collaboration between renowned Japanese architect Kengo Kuma (previously) and Australian artist Geoff Nees, the large-scale installation is constructed with trees felled at Melbourne’s Royal Botanic Gardens during the millennium drought. The pointed slats interlock without the use of additional supports, a design derived from traditional Japanese joinery, and create a scaly pattern that allows light to stream through. More Continue reading
In an exquisite if not terrifying act of self-preservation, the Monkey Slug Caterpillar has evolved to disguise itself as a predator, mimicking the form and color of a Tarantula Spider on it’s back. Nature photographer David Weiller captured this particular specimen while in the Amazon Rainforest of Puyo, Ecuador. He shares:
This mesmerizing caterpillar mimics a hairy tarantula spider with its oddly long hairy arms curling out. When looking at the underside, it looks like a slug with its suction cups prolegs and its tiny legs.
Colombian illustrator Daniela Gallego takes us on a delightful journey through a world tinged with magic and brimming with plants. Her subdued color palette enhances the effect, firmly planting each of her drawings somewhere between fantasy and reality. The Barcelona-based artist creates works for children’s picture books, editorial, and corporate clients, and produces some of her own prints or calendars that you can request on Facebook. Explore more of her work on Behance. More Continue reading
Museum of Latin American Art Defends Sale, Drive-Through Art Shows, and More: Morning Links from December 14, 2020December 14, 2020
Here’s what we’re reading this morning. Continue reading
Woven throughout Selva Aparicio’s cicada veils and fringed floor coverings are the complexities of rebirth, transition, and beauty’s ability to endure. Organic ephemera—human hair, thorned branches, scavenged wings—become poignant installations and smaller artworks that ruminate on a myriad of global issues, including the climate crisis and the infinite failures of the medical establishment.
Aparicio shares that her explorations of life and death began during childhood when she watched the natural world cycle through growth and decay in the woods outside of Barcelona. More Continue reading
“I have always viewed the body as a transitory object,” writes artist Christina Bothwell. From human-animal hybrids to pregnant creatures to figures fused together, Bothwell’s oeuvre suspends various life forms in states of flux: a baby precariously rests on a mother’s back, a young girl grasps onto another’s legs, and others peer into the distance as if they’re about to move forward.
The artist’s subject matter is rooted in the ethereal and embodies the delicate ways spirits and physical figures change over time. More Continue reading
Her formally rigorous canvases could include as many as 50 layers of paint. Continue reading