Where Should Art History Go in the Future? As Survey Courses Change, the Past Evolves
July 28, 2020A controversial move by Yale University’s art history department is part of a larger shift taking place. Continue reading
A controversial move by Yale University’s art history department is part of a larger shift taking place. Continue reading
The artist delivers everything a 21st-century museum could ask for—in one sleek mirrored box. Continue reading
Works by Matthew Wong, Amoako Boafo, and Otis Kwame Kye Quaicoe shot past their estimates. Continue reading
Nearly a third of workers at the museum signed a letter decrying a lack of accountability. Continue reading
Lima-based graphic designer and illustrator Jose Arias has created a wacky cast of typographic monsters ready to cuddle you in their serifs and ascenders—Monsters Inc. meets the alphabet. Often smirking or baring a couple of teeth, Arias’s letter-based characters sometimes come adorned with coiffed hair, a gold crown, and a pair of headphones. Each has an alphabetic shape that’s formed naturally by their bodies or when they jump into the air, open their mouths, or stick out their legs. More Continue reading
Around $300 million was allotted to arts organizations. Continue reading
In an effort to merge the past, present, and future in a single work, Tokyo-based French architect and designer Emmanuelle Moureaux (previously) hung 168,000 paper numbers in rainbow-like rows to create her latest piece, “Slices of Time.” The suspended project contains 100 hues, in addition to white, that are formed into a vibrant cylinder meant to serve as a visual representation of Earth. “She uses colours as three-dimensional elements, like layers, in order to create spaces, not as a finishing touch applied on surfaces. More Continue reading
To celebrate spending one billion seconds on Earth, Daniel de Bruin created a gear system that represents the number googol (that’s the digit 1 with 100 zeros behind it). Every time the first wheel completes 1,000 rotations, which happens in about an hour, the second gear turns 100 notches and the third 10. Each following wheel is reduced by 10, meaning in order to turn the last and 100th one, the system would need a googol of energy, which the Netherlands-based designer says is “a number that’s bigger than the atoms in the known universe.” He tells Colossal that when working perfectly, each gear is perpetually in motion. More Continue reading