Art historian Julia Bryan-Wilson, LACMA contemporary art curator Rita González, Baltimore Museum of Art chief curator Asma Naeem, and more offer some suggestions. Continue reading
Since she first began embroidering in 2013, Emillie Ferris (previously) has stitched a few rows nearly every day. The United Kingdom-based artist creates dense thread paintings of butterflies, bees, and other creatures surrounded by vibrant, scattered florals. Her lengthy stitches form precisely colored patterns and rows, offering a distinct texture to each wing and antennae.
Ferris tells Colossal that much of her work is based on vintage entomology illustrations, which she reviews multiple times before beginning one of her realistic projects that are “inspired by nature, with a tiny sense of magic.”
I love to try and emulate a sense of romanticism in my embroideries.
Melbourne, Australia’s Beinart Gallery is gearing up for an exhibition of small scale paintings, scratch-built models, and tiny sculptures. Co-curated by artist Joshua Smith (previously), the Miniature Art Group Show features impressive works by a group of around 30 artists from around the world.
Close-up photos of the architectural models and other miniatures in the show highlight the level of detail that the artists pack into every square inch. More Continue reading
Suzanne Saroff doesn’t mind if her audience has a distorted view of the vibrant flowers and leaves she captures. The New York-based photographer, who’s worked with a long list of clients like Calvin Klein, Glossier, and Prada, is a master of illusion in her tonal images that place florals behind clear glasses of water, skewing their structures in her red, pink, and beige compositions.
Saroff tells Colossal that her latest work revisits elements of distortion she used in previous projects that framed images of bananas, avocados, and fish behind glass vessels filled with water. More Continue reading