Thanks to Gerardo Gomez-Martinez (aka Hacer), the public plazas on Broadway in New York City’s Garment District are now a zoo of origami-style animals. The Mexican-American artist installed a series of powder-coated steel sculptures that loom over dining areas and walkways as part of Transformations. Commissioned by The Garment District Alliance, the project consists of seven creatures that vary in size, including a yellow dog, a magenta elephant, a green bear cub, and two turquoise rabbits and coyotes, one of which extends 14 feet from nose to tail. More Continue reading
The work had been installed on Naoshima Island since 1994. Continue reading
The house claimed that Bettina von Marnitz Thut and Frederic Thut consigned several inauthentic works. Continue reading
The mother of video art finally gets her due with a MoMA survey and a retrospective touring Japan. Continue reading
200 artists and visionaries were commissioned to reinterpret the iconic 1858 Louis Vuitton trunk, with more soon to follow. Continue reading
Takeout Containers and Worn Sketchbooks by Artist Yoonmi Nam Explore the Permanence of Everyday DisposablesJuly 27, 2021
A kitchen table, countertop, or cluttered desk are all likely spots to encounter a piece by South Korean artist Yoonmi Nam. Encompassing ceramic sculptures and sparse lithographs, Nam’s body of work evokes “an ever-present, yet always changing still life,” one that displays the ubiquitous objects of her everyday in more permanent forms. A deep well to hold a bouquet carves out a stack of porcelain take-out containers, minimal prints depict a leafy branch resting in a fast-food cup, and splayed sketchbooks are covered with graph paper-style inlays that appear punctured, leaving frayed ends and stray lines. More Continue reading
Brazil’s Anthropophagic movement of the 1960s advocated for an art that consumed colonial influences without neglecting Indigenous roots. Lygia Pape’s version is even more cannibalistic. Continue reading
Kenyan-American artist Wangechi Mutu made history in 2019 when her four bronze sculptures became the first ever to occupy the niches of the Metropolitan Museum of Art’s facade. Stretching nearly seven feet, the seated quartet evokes images of heavily adorned African queens and intervenes in the otherwise homogenous canons of art history held within the institution’s walls.
The monumental figures are one facet of Mutu’s nuanced body of work that broadly challenges colonialist, racist, and sexist ideologies. More Continue reading
At the heart of Matt Small’s practice is the idea that “there’s always potential within everything.” The British artist gravitates toward an overarching theme of disregard in both subject matter and material, choosing oxidized hunks of iron, bits of patinaed copper, and crinkled aluminum strips that have been relegated to the trash to construct his metallic portraits.
Expressive and emotionally charged, the corroded mosaics link rampant overconsumption and widespread tendencies to throw away what’s deemed obsolete or undesirable to the ways adolescents are marginalized and subsequently not seen as viable members of society. More Continue reading
Titled Green Lens, his new work represents an attempt to enliven a dead space. Continue reading
A series of exhibitions has cemented Albers place as a seminal modernists. Continue reading
The group’s exhibition series offers young artists opportunities to create and sell work free from the pressures of the commercial art world. Continue reading
From polyester, nylon, and cotton, Japanese artist and designer Mariko Kusumoto fabricates sculptural forms that resemble the creatures and everyday objects she finds most fascinating. She uses a proprietary heat-setting technique to mold the ubiquitous materials into undulating ripples, honeycomb poufs, and even tiny schools of fish that are presented in elegant and fanciful contexts. Whether a pastel coral reef or a fantastical bracelet filled with mushrooms, rosettes, and minuscule bicycles, Kusumoto’s body of work, which includes standalone objects and wearables, uses the ethereal qualities of the translucent fibers to make even the banalest forms appear like they’re part of a dream. More Continue reading
Angela Gulbenkian is also facing two separate additional charges. Continue reading
An important commercial gallery and artist-run spaces are also key to the city’s scene. Continue reading
Wide spoons become muscular hind legs, pointed handles fan out into wings, and fork prongs curl around a branch like talons in Matt Wilson’s wildlife assemblages. Using found flatware and other metal objects, the Charleston-based artist (previously) welds sculptural renditions of birds, insects, and other small animals that appear lifelike and primed for movementt. He mounts the metallic sculptures on pieces of driftwood or smooth plaques—many of which are handcrafted by his friend Jacob Kent—that contrast the shining metal with the natural, grainy material. More Continue reading
As the fear of a second wave of COVID-19 swept through Germany in the fall of 2020, photographer and artist Jörg Gläscher decided to channel his own worry into a project that felt similarly vast and domineering. “I was working (with the idea of) the pure power of nature, the all-destroying force, which brings one of the richest countries in the world to a completely still stand,” he tells Colossal. “A wave is a periodic oscillation or a unique disturbance the state of a system.”
Between November 2020 and March 2021, Gläscher spent his days in a secluded location near Hamburg, where he gathered deadwood and constructed nine massive crests—the largest of which spans four meters high and nine meters wide—that overwhelm the forest floor in undulating layers of branches and twigs. More Continue reading
Land and sea creatures alike overrun a new exhibition at Le Stanze Del Vetro in Venice. Titled The Glass Ark, the eclectic bestiary—among the more than 750 animals on view are elephants, hippos, cats, giraffes, polar bears, parrots, and poodles adorned with bows—is the expansive collection of art historian and former Louvre president Pierre Rosenberg.
For thirty years, Rosenberg gathered the lustrous sculptures during regular trips to Venice, a region with a long history of innovative techniques and a hub for glassblowing since the 13th Century. More Continue reading
Orson Welles narrates New Deal for Artists, which first aired in 1976. Continue reading