Though less than half of the size of a normal fair, the online edition was more intimate. Continue reading
The gallery has become known for bringing wider attention the careers of some of the Brazil’s most important artists. Continue reading
The museum has been criticized for not sharing renderings of the exhibition spaces after the building’s design was changed last year. Continue reading
Shetland wool is warm, thick, and comfortable to the touch. It isn’t as luxurious and soft as merino or cashmere, but it doesn’t have prickly guard hairs, the hairs that itch. Lofty and light, this wool allows you to makes textile art or sweaters that aren’t too heavy. Shetland fibers are strong and weather well: […] Continue reading
Known for his sculptural textiles, Faig Ahmed fuses contemporary glitches and distortions with traditional weaving techniques. A recent artwork, titled “Doubts,” is one of his larger pieces that while conventionally shaped and patterned on top, appears to ooze out into a massive puddle. A stunning piece, the ornate motif blurs into swirls of color and an amorphous shape on the floor.
The Baku, Azerbaijan-based artist (previously) said in a statement that he began “Doubts” about one month prior to widespread lockdowns due to COVID-19. More Continue reading
In varying states of deflation, Joe Davidson’s pastel balloons sag, slump, and flop in every direction. The limp, elongated forms are stacked on top of one another in seemingly precarious piles and resemble latex tubes filled with days-old air. While the sculptures are playful in both color and form, the Los Angeles-based artist notes that they also hold earnest themes of masculinity and aging, two concepts he’s thinking about often.
Davidson prefers to explore new materials and those beyond the bronze, stone, and wood typically used in this medium. More Continue reading
Uncoiled Rope Sprawls Across Canvases and Open Spaces in Organic Forms by Artist Janaina Mello Landini
Janaina Mello Landini (previously) unbraids lengths of rope to create fibrous labyrinths that breach canvases’ edges and crawl from floor to ceiling. Including both sprawling site-specific installations and smaller pieces confined to a few dozen centimeters, the São Paulo-based artist’s body of work is broad. All of her projects, though, explore tension and space as they spread into arboreal forms or perfectly round networks.
Her recent works include a massive tree-like installation that fans out across Zipper Gallery’s floor and walls into delicate, tape blossoms. More Continue reading
Jean Dubuffet’s Limitless Imagination: Why One of the Artist’s Ambitious Environments Is Being Newly Fabricated
A monumental fabrication of the artist’s 1970 model Le cirque will go on view at Pace Gallery this month. Continue reading
Five positions were eliminated in the restructuring, and nine were created. Continue reading
“It’s an altogether different experience,” one dealer said. Continue reading
Australian sculptor and installation artist Georgie Seccull creates large-scale stainless steel sculptures of animals and other creatures seemingly locked in motion. Comprised of numerous pieces cut from metal sheets, the materials lend themselves to organic forms like feathers, scales, wings, or the armaments of crustaceans. Seccull’s work scales up dramatically in her installation practice where she’s filled entire rooms and atriums with suspended pieces. “We are born out of chaos in darkness and come into the light—my process is much the same: I begin with a thousand pieces scattered on the ground, then working almost like a jigsaw puzzle, I pick them up one by one and allow each piece to come together organically and dictate the outcome,” the artist shares in a statement. More Continue reading
Tuesday marked the anniversary of Hepworth’s move to St. Ives, where she was based for much of her life. Continue reading
A guide to the artist’s life and career, from her earliest wire sculptures to large-scale public works. Continue reading
In London Fieldworks’ delicate creations, architecture meets nature. Its installations feature pine-colored clusters of minuscule wooden forms that appear to grow upon vast tree trunks. Founded by artists Bruce Gilchrist and Jo Joelson, London Fieldworks is a collaborative and multidisciplinary arts practice with projects at the intersection of architecture, sculpture, installation, and film.
Each of the homes has rounded windows and doors, while those on large evergreen trees resemble natural objects, such as wasp and hornet nests or even fungi and mushrooms. More Continue reading
Paris-based artist Helena Hauss juxtaposes the domestic feminity synonymous with delft-style porcelain and the brute force of barbed weaponry. Her sculptural series, titled Hell Hath no Fury, is composed of an axe, grenade, spiked bat, and morning star, each of which is ornamented with floral motifs.
Hauss shares with Colossal that she hopes to disrupt notions that women are the “weaker sex” and opts instead for a message of empowerment. More Continue reading
New York-based artist Hugh Hayden (previously) visualizes the ways African traditions are embedded into multiple facets of American culture through a series of cast-iron skillets. Part of a larger exhibition titled American Food, the 26 pans are molded to reveal facial impressions that evoke West African-style masks, blending the cooking tool and cultural object.
Generally established by cooks who were enslaved, southern food includes many of the flavors, techniques, and ingredients prevalent in African cuisine, forming what Hayden sees as one of the foremost culinary traditions distinct to the United States. More Continue reading
Long before the infamous banana sent waves through the art world last year, Koji Kasatani was forming playful sculptures with the yellow produce. From a couple of peels mid-waltz to another fruit flattened into a puddle, the ceramic-and-resin artworks are evocative and humorous. Kasatani shares with Colossal that while the banana is a recurring motif, its purpose is light-hearted and is a form of idiosyncratic expression.
At 40 years old, the Japanese artist first started sculpting ceramic pieces after a residency in Florence, where he learned traditional Italian techniques. More Continue reading
The artists collaborated on public artworks for more than 20 years. Continue reading
The Coral Greenhouse: Jason deCaires Taylor’s Latest Installation is an Underwater Sanctuary for Vulnerable Sea CreaturesAugust 5, 2020
About 50 miles from Townsville, Australia, an unassuming structure created by Jason deCaires Taylor (previously) rests on the sandy floor the John Brewer Reef. Currently, “The Coral Greenhouse” is in pristine condition with little algae or tiny organisms stuck to its sides. Over time, though, the sculptural work is designed to amass vibrant clusters of the sea creatures as they colonize the submerged form. More Continue reading
In photos, installations, and performances the Berlin-based Canadian artist offers ways to “work through” our postcolonial challenges. Continue reading