In a New Stop-Motion Film, Swoon Explores Trauma, Memory, and the Body
March 25, 2020

Caledonia Curry, aka Swoon, is known for her street art utilizing paper that’s pasted onto building walls, but the Brooklyn-based artist has made a recent pivot that transfers her mythical style to stop-motion animations. Part of her solo exhibition Cicada, Curry’s short film “Sofia and Storm” is centered on a human-arachnid hybrid. After emerging from a dense mass, the gold-faced feminine figure opens up her chest cavity to reveal dark, hanging matter that eventually is absorbed. More Continue reading

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Six-Year-Old Tulip Navigates a Wooly Garden in a New Animation by Andrea Love
February 14, 2020

Andrea Love (previously) is back with a new heart-felt animation detailing the journey of a six-year-old girl named Tulip. An adaptation of Hans Christen Anderson’s Thumbelina, the 8-minute short film will chronicle Tulip’s adventures navigating a dense garden after being born from a flower. “We wanted to create a contemporary adaptation of Thumbelina that allows Tulip to be a child, free from a love-story ending and able to find home in more places than one, while maintaining the original story’s themes of risk, adventure and magic,” a statement about the project says. More Continue reading

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A New Short Film Demonstrates the Difficulty of Escaping City Life
January 23, 2020

Breaking free from urban life is no easy feat for the main figure in “Le Silence de la rue,” or “The Silence of the street.” The monochromatic film produced by Miyu Productions, which is led by Emmanuel-Alain Raynal and Pierre Baussaron, details the stark dichotomy of spending time in unaltered natural spaces and in a dirty, bustling neighborhood. Opening with a blooming flower, the gloomy film turns to a black being who struggles to stay afoot in the dense streets as a horde of anonymous figures push by. More Continue reading

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Snails Paint the Town in Miniature Scenes Crafted by Aleia Murawski and Sam Copeland
January 17, 2020

Illinois-based Aleia Murawski and Sam Copeland have a knack for creating miniature—and slimy—worlds just big enough for their tiny acquaintances to glide through. The creative duo is known for constructing realistic domestic settings featuring plastic covered furniture and a messy painting studio occupied by snails for its stills and short films. Now, though, the artists are pushing the critters beyond their comfortable homes for a fun night out. The snails are shot sliding up to a limo, basking under the glimmer of a disco ball, and gobbling up a cheeseburger in a quaint diner. More Continue reading

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