Kareem-Anthony Ferreira In my work I am tracing patterns of personal, familial and social identity within the genre of black portraiture. In an effort to shift the overly simplified perceptions that my two disparate familial communities hold toward the other, I offer visual re-creations of both identities, personal family traits, and events. The experiences and … Continued Continue reading
Alberta-based artist Simone Saunders hand-tufts bold, colorful portraits with themes of identity and Black history woven throughout. Crafting vibrant patches of fibers that form eyes, lips, and garments, Saunders casts her earnest subjects against austere backgrounds, which sometimes are marked with “Black Lives Matter.”
The textured artworks serve as a site for conversation, prompting questions about race relations and societal injustices. “Textiles engage upon a search for belonging: studying the Black female body, personal identities, and a connection to Black history,” the artist tells Colossal. More Continue reading
Through life-sized sculptures, artist Yinka Shonibare CBE considers the grasp of colonialism and its lasting effects on modern conceptions of identity. Each faceless figure is in the midst of an action, presented shooting a mass of cherry blossoms from a rifle, lumbering forward with a hefty mesh sack, or balancing a towering stack of cakes. Evocatively posed, the figures are topped with globes and astronaut helmets, which simultaneously gestures toward movement in the form of travel and exploration while obscuring individual identities. More Continue reading
Lenore Tawney pioneered techniques for creating sculptural, expressive weavings. Continue reading
“The Unknown Artist,” an exhibition organized by Lucy Cotter, probed the very values of attribution, with eleven unattributed objects from around the world that spanned twelve centuries and ten contemporary artworks exploring anonymous making in present contexts. Continue reading
At first, the garments look as though they’ve been spun with a traditional medium—wool or yarn—but on closer inspection, it becomes apparent that the thin and springy mesh-like material is composed of thousands of elastic bands that have been knitted together. Made by Japanese designer Rie Sakamoto, the handmade collection is composed of a jacket and dress, each of which illustrates the diverse functionality of stationery items like rubber bands.
Sakamoto’s “rubber collection” initially was exhibited at Tama Art University in Toyko as part of a graduate exhibition and the garments, which took Sakamoto half a year to make, reflect on how overlooked materials and objects can have diverse uses in fashion, contemporary design, and art. More Continue reading
Concentric Circles of Tufted Wool and Natural Fibers Shape Giant Wall Hangings by Artist Tammy KanatMarch 26, 2020
Beginning with asymmetrical ovals and amorphous shapes, Australian textile artist Tammy Kanat (previously) loops, twists, and weaves her sizable wall hangings. Using a steel frame, Kanat hangs up the copper forms that provide the structure for her abstract tapestries. She then combines natural materials like wool, linen, and silk to create small tufts and organic rows of varying hues that add a range of densities and textures to each piece. More Continue reading
Covered in full-face masks of fringe and knotted details, threadstories (previously) explores the tension between contemporary portrayals of public and private life. The Irish artist poses in front of gray backdrops for her self-portraits that obscure her face and only sometimes reveal a set of eyes or a mouth through the crocheted exterior.
threadstories tells Colossal that the process for creating each piece is similar. She begins by crocheting the balaclava—sometimes adding space for further detail like pointed ears or a hand-drawn face—before crafting various tufts and dense patches. More Continue reading
In his furniture-like sculptures, the artist merges American and African concepts of functional design. Continue reading
Belgian artist Élodie Antoine understands the behavior of fibers, controlling them in ways to produce textile designs that are organic, fungal, and oftentimes anatomical in nature. Her anatomies emerge from taut lycra, dense felt structures, and an impressive number of zippers. The pieces are as much a reflection of the numerous tissue types in the human body as the textiles themselves.
Antoine shares with Colossal her view on the connection between textiles and anatomy. More Continue reading
During a material experiment, Dutch designer Bertjan Pot, along with his fellow designer Vladi Rapaport, discovered a technique for stitching together lengths of brightly colored rope to create interesting face masks. Though reminiscent of tribal masks and seemingly full of meaning and individual narratives, Pot says that the faces came from a less-than-successful attempt at making rugs.
When trying to turn the rope into rugs, Pot found that the material would not stay flat. More Continue reading
London-based artist Daisy Collingridge layers amorphous blobs of fabric and textiles to form wearable pastel-colored body suits. With names like Burt, Clive, and Lippy, each member of Collingridge’s family has a personality that matches his/her form. Inspired by human anatomy and infused with elements of fantasy and impulse, the artist says that the costumes are an exercise in “pushing quilting to the absolute extreme.”
Each new character begins with the construction of the head. More Continue reading